My critics have been losing their cool and their minds recently. I've been called all kinds of names by people who should know better. Most recently, I've discovered that I'm supposed to be an admirer of 'Bulworth'. So I dug this out... (from the archives - October 1998)
12770. boohab - Oct. 23, 1998 - 5:16 PM PDT bulworth is, in the end, the movie that we go to when we want to see how clueless whitefolks have matured since 'grand canyon' which it now replaces as the stupidest movie on the racial subjects in memory. i had managed to miss this movie as it passed through the various distribution channels, but a long conference in dallas set me up for a bunch of free time in front of spectravision. and so i got bulworth. as some of you may recall, i made a wild guess at the scope of the film with a quote from james baldwin as a review, giving bulworth no benefit of the doubt. not only was i right about the story's level of pathos, but the film gives me reason to suspect that warren beatty and everyone else associated with the film are grossly pathetic as well. i must say it makes me honestly feel sorry for halle berry, who has basically been dealt a one, two punch. with this and the film baps, to her 'credit', i'm starting to take david justice' side in the divorce. the plot for this bomb is disgustingly simple. a corrupt politician decides to end his life by arranging his own assassination. but before the deed is done, he gets a case of jungle fever. he then decides to rap his campaign, and in a fit of insomniacal delerium, paints himself 'black' through a campy set of encounters with the most incredibily one dimensional parade of black ghetto stereotypes i have ever seen on film. ever. and i do mean ever. what's worse, is that everybody seems to take this seriously. this film's ideas are perverse, bankrupt, self-righteous, self-parodying and idiotic all at once.
12771. boohab - Oct. 23, 1998 - 5:18 PM PDT bulworth is useful as a litmus test on racial perceptions in the same way that real dicks and pussies would be in inkblot. reasonable and sane people would look and seriously question the ethics and sense of the person administering the test, not to mention utter lack of imagination. but right now i'm more interested in seeing how and which critics have been bulworthed into saying something profound about this shitheap of a message movie. it gets a 55%, which should clarify my percentage scale, everything below 50% means it's not worth seeing.
Though I'm no longer the notorious boohab, as far as the flick is concerned nothing has changed. (Link added)
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